Posts Tagged → Pinoy stand up comedians
Comedy Cartel: the Filipino Comedy Revolution
the core of the comedy cartel
If you haven’t noticed, there’s a revolution happening in the comedy scene and it’s being led by a group called the Comedy Cartel. The group was originally formed a couple of years ago when two Filipino American stand up comics named Tim Tayag and Allan Manalo were judging JackTV’s Lafapalooza and had all these new comic talents but had no direction. So one night, while Al and Tim were hosting a late night radio show for peanuts, they thought of creating an organization that would pool all the powers of these stand up comics – the newbies, the oldies, and the weirdos. And the name they thought of was the Comedy Cartel because they just liked the drug and mafia reference, even though these 2 guys’ only violent experience was when some Middle Eastern men danced with them in a club (actually that was just Al’s experience).
The group expanded and included comedians such as Alex Calleja, Marlon Olivan (consistent runner-up in comedy contests), Red Ollero, Ryan Puno, Noel Gascon (Lafapalooza 2 champion), Ryan Rems, Derf Hebrado, Victor Anastacio (Lafapalooza 1 champion), Richie Fernandez (Cool Center champion), Eri Neeman (MTV VJ), GB Labrador, Chino Liao, Eric Villarama, JB Dela Cruz, Trian Lauang, Marcelle Fabie, and others (sorry if I missed anyone but I think I got pretty much everyone covered). The groups is – as far as I know – the only gang in town that does point of view comedy. In a land dominated by gay comedy bars and insult comedy, Spicy Fingers in Greenbelt 2, Ayala Center, Makati serves as the home nest of these western style comics. In fact, Spicy Fingers has developed quite a reputation for its Monday night comedy that even comedian Jo Koy (who has his own show on Comedy Central) and other comedians from Hong Kong and Canada have dropped by to do guest sets. You can catch the Comedy Cartel every Monday night at around 8pm. You can make reservations by contacting Ecircle Entertainment at +63.2.5339316 or texting +63.922.8596144
Some nights are showcases wherein you will get to watch anywhere from 10 to 15 comedians performing short sets. Some nights are theme nights, wherein you get to see 5 comedians doing longer sets with a headliner. Check with eCircle Entertainment which nights are the ones with more English speaking comedians (in case you don’t understand Tagalog) and which nights are more Tagalog friendly.
Filipino American Comics and Their Mothers
If there’s one thing I noticed about Fil-Am comics is their staple bit about their mothers and how funny they sound with their accent. I have mixed feelings about this. On one hand, I find it a bit hacky when a Fil-Am comedian does this because every Fil-Am standup that I’ve seen has a bit that portrays their mother (or sometimes their father or uncle) talking in this funny way. I’ve seen Rex do it (in fact, I’ve noticed most of his act revolves around this premise: 1st generation Filipino Americans talk funny). I’ve seen Jo Koy do this. And I’ve seen about every Pinoy comic do this.
It makes me wonder, do they get laughs because the situation or the character being portrayed is truly funny or is it just funny because they sound funny when they talk? Now I also understand that they are telling a story from their perspective and it just so happens that their reality is that their parents really have a problem with their “f”, “p”, “v”, and “b”. Call me an elitist, but my parents don’t talk that way. The most that I’ve heard them say that’s remotely similar to this accent is the way they pronounce “menu” and when they refer to a band as a “combo”.
In my opinion, it seems that it’s such an easy way to get a laugh. You could just go on stage and because of the novelty of Pinoy comedians, anything they say with this “funny” accent immediately gets a laugh. Also any Filipino profanity will get you laughter: “putang ina”, “titi mo”, or “lintik kang bata ka”. Maybe I’m being judgemental and a hypocrite, but there’s something about this that bothers me. Then again, it just bothers me when someone just goes for the cheap laugh. Or maybe I’m getting this all wrong. Maybe the most important thing is getting the laughs with the risk of being hacky. After all, people pay to laugh and not to really analyze.
In the meantime, since this for the most part is not my reality, I just try to be as real as possible with the characters in my material and represent them as I see them with a little bit of exaggeration.